16 UMMA Objects
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A man wearing light colored pants and a dark jacket with tails stands on a rug in a narrow room facing framed art on a wall.  There is a tall vase of flowers on a stand next to the hanging art. The man's hands are behind him, clasping a cane. Behind him is a stand with a hat on it. To his right, there is a wall with two other framed works of art, and one appears to be a portrait. 
Benjamin Kopman (American (North American))
In an Art Gallery
1951
Museum Purchase
1958/2.60

Eileen Rubinstein
Block Island, R.I., Virginia, from "Photographs Rhode Island School of Design"
1966
Gift of The Morris and Beverly Baker Foundation, in memory of Morris D. Baker, a graduate of The University of Michigan School of Architecture, 1952
2000/2.139.3

Paul Gavarni
Le Parfait Créancier, pl. 9: 'Eh! l'argent est rare...'
1846
Transfer from the College of Architecture and Design
1972/2.50
This page of an illuminated manuscript on thin parchment is vertically oriented. Centered in the upper two-thirds of the page is a window-shaped scene of a priest celebrating mass. The priest, with red and white robes and a tonsure, holds up a communion wafer at an altar that has a bible and a communion goblet on it and an image of two figures with halos behind them. The altar and the priest’s robes are trimmed with gold leaf. Behind the priest are two kneeling figures, a man and a woman. They are in the interior of a gothic church, with stone vaulting above them. Below the scene are four lines of calligraphy with the first letter, a ‘D’, highly decorated. Decorative detailing surrounds the text and the scene. The left side consists of an ivy-like plant growing out of the "D", and the bottom and right sides have different foliate-derived design depicted in ink, tempera and gold.
French (French (culture or style))
Priest Celebrating a Mass (Leaf from the Tarleton Hours)
1425 – 1435
Museum Purchase
1968/2.43
A two-seat settee upholstered in green/gold wool textile, attached to a metal frame of square tubular steel.
Florence Knoll
Settee (Model 66)
1958 – 1964
Bequest of Herbert W. and Susan L. Johe
2012/1.294

Paul Krot
Providence, R.I., from "Photographs Rhode Island School of Design"
1966
Gift of The Morris and Beverly Baker Foundation, in memory of Morris D. Baker, a graduate of The University of Michigan School of Architecture, 1952
2000/2.139.4
This gouache shows a stage set for the ballet "Coppelia." The stage set shows a decrepit room with yellow paint or plaster peeling away to reveal brick beneath, a red curtain draped horizontally across the middle ceiling and down at the right side. A dripping heart hangs from the ceiling. There is a light blue niche on the left, a blue window on the right, and a stairway, deep in the center of the image. 
Georg Kirsta (Russian (culture or style))
Set for 'Coppelia' by Delibes, Act II
1929
Museum Purchase
1948/1.215

Luigi Canonica
Scenographic Design
1764 – 1844
Purchased from the Estate of Edward Sonnenschein
1970/2.100

Luigi Canonica
Scenographic Design
1764 – 1844
Purchased from the Estate of Edward Sonnenschein
1970/2.101

Giovanni Battista Piranesi (Italian (culture or style))
Views of Rome. 129. S. Maria Degli Angeli. Interior. Formerly the Central Hall o
1776
Transfer from the College of Architecture and Design
1972/2.47
Bold colors depict Krishna, one of human manifestations of the Hindu god Vishnu, is seated with a woman, Radha, above him. He touches her leg, and the tips of her hands and feet glow red. She sits erect and holds a large flower, looking straight off the left edge of the picture. The two are framed in an architectural structure.
Artist Unknown, India, Punjab Hills, Mankot School
Krishna massaging the feet of Radha (a scene from the Gita Govinda?)
1725 – 1735
Museum purchase made possible by the Margaret Watson Parker Art Collection Fund
1979/1.160
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